#Ramones blitzkrieg bop full

“Once upon a time, two nice Jewish boys from Queens named Jeffery Hyman and Thomas Erdelyi changed the world forever with their music… as Joey and Tommy Ramone!” wrote Grohl and Kurstin. For night number two, the kids will be losin’ their minds to Grohl and Kurstin’s take on “Blitzkrieg Bop.” On Sunday, Dave Grohl and Greg Kurstin released an utterly delightful cover of Lisa Loeb’s “Stay (I Missed You)” to kick off the second installment of their Hanukkah cover songs series. With The Ramones, he demonstrated that the best music is that which belongs to the people.The post Dave Grohl Covers Ramones’ “Blitzkrieg Bop” with Greg Kurstin: Watch appeared first on Consequence. In this way, Johnny Ramone took rock n’ roll back to its roots, to a time before spandex and elaborate guitar solos. Because, whilst Johnny Ramone’s heavy use of distortion does create that wall of sound effect so essential to punk music, the depth of his chords also creates an uncharacteristic degree of harmonic complexity. That’s part of what makes ‘Blitzkreig Bop’ so special. Whereas a power chord is formed of just two notes, (the root and the fifth) barre chords utilise all six strings and have far more depth and colour as a result.

#Ramones blitzkrieg bop full

Whilst many assume that Johnny Ramone is using power chords in this track, he is in fact using full barre chords. None of this is to say that Johnny Ramone’s guitar playing is somehow less valuable than that of more virtuosic players, quite the opposite in fact. One such guitarist was Kevin Shields who, on listening to The Ramones became fixated with the idea of “doing one thing really well,” a fixation which he would finally achieve with his pioneering shoegaze album Loveless.

Johnny’s style was characteristic of the DIY punk aesthetic and went on to inspire countless young guitarists. The resulting sound, as you can hear in this clip, is primordial and motoric in quality. Johnny relies on a very simple chord progression, which is played using only downstrokes.

It is written in 4/4 and in the key of A. The song is about as simple and elemental as they come. This was Johnny Ramone’s genius and, in this isolated recording of his guitar part for ‘Blitzkrieg Bop’, that genius is abundantly clear. It was also Dee Dee who changed the line “shouting in the back now”, to “shoot ’em in the back now.” Dee Dee Ramone, however, felt that the alternative title better captured the visceral energy the group were going for. The name itself is taken from a form of warfare adopted by the German military in the second world war, although it was originally called ‘Animal Bop’. It is the violence contained within ‘Blitzkrieg Bop’ that has made it so appealing to angsty teenagers for such a long time. It said that all you needed to write a great song was “three chords and the truth.” With ‘Blitzkreig Bop,’ The Ramones pushed that notion to its logical extreme. Rather, The Ramones adopted a musical philosophy advocated by the likes of Woody Guthrie. The track, which comes from the band’s self-titled debut album, proved that you didn’t need to be a virtuoso to be a pioneer. Released in 1976, The Ramones’ ‘Blitzkrieg Bop’ is one of the defining songs of the punk era, exploding onto the scene in a way that completely refreshed America’s attitude to guitar music.